[{"data":1,"prerenderedAt":223},["ShallowReactive",2],{"9jx-yNRwCAh5hfP2k-WMfqi-LbpoK1wy7euJDdNLHFk":3,"ZxXftohtJ9hJx9j8bk6n6NK1-zuecuc-jDMS_bmtVZM":4,"TI0prObHgKY0Faam1eJf2nlykQX7ct0TtR9Mplp9SjA":37,"Dic8Lqjn46rYtMCyE9Vf7j-Rb88N9nbazeKBSU8uLXA":38,"-NIBnUL5GwlkHXcrQBO1JR7K73ME76fL9Eq2MEwMzkw":50,"mmDkJgvaQvX2JjmJ_l3Pv0a5RKkune4IKdAnQJXDvoE":62,"N3D1lxpHui-z7ktY0q7YHCfWGS4njXuHXgh0PavkJ0w":74,"nllkh73cgChX3qrF3A7rOVZcut7a9BAXzBItp7DmM2I":86,"66glecKMU8udMT4TSDXVO70Ff6_l21XifcyqL7sAMD0":98,"JxXhTt-nhsWnCdu5ECYrchWchrTg_2q-kWwUd0vXWtc":110,"yb6t2ULkOIcIUee1Z13CG4G9vgULAOqnlFC9C2eTrz4":122,"kHn7U3PYlS4OBJQoAZjyfXHO3zOa39Sb-BJP_V3EnYk":134,"tIIV9cUjI1RWuv8lyDDypTzShmHxuCGnKBPvz1MdoH0":146,"5_4T2eh4cGEbGvH2bBRWipks_rMjagFrMq3ZUwK2Z1s":152,"mQpbC0VGltZJ7uto_bdoMr3_cKjPOsHo1XfwrBX-K2s":157,"5r_2efxew2zMo0LKnqMr28pB6soX2zj-IJkDCHk168I":162,"yedTc2tQT8HI68marBozvu_FU49K0SbdTEWAivMXeB8":167,"izyqjlkPtQC7O6YqQLnVoYMrpHfzBWU0agy9hKyfwW0":172,"W0qoUVFeEPAxFV1ePi7B1Vf3MGt94tP01DsZm8En0-I":177,"Sni_AG96_jvklYwNzZwvlxOZZdc06oztZ6BU_pki9W4":182,"3Xh4iw5KrG_hxuxmOJ2ghbRm6jLhgNDEm0In8vtlrR4":187,"H7wt3I-V1eAEO-wmT-NCpwfDpMIKLFvy_193rmGs5fw":192,"eDX2FIXx5a2izSCaddhd13GjLiadKQln_XTyJSuRUpE":196,"2o-0psik2SvrJu_Tsr3JHH6wtapIwh5E5uzNExJQoHw":199,"JHsMnMXcVCGLtdICTu7yzRHw6Cggezt5PeTMbZdebIc":202,"md-jQAmv0FmD-OMgbrAFrMOitZxVITQ1ELcc7DAzNMA":205,"9n_nOeSEPuaNqZ7yMxTe92dRsK6YxyLbOonUUpuBdpo":208,"9vtD6aUMKkvaAek0GZQnONkrU47MaYooYN60pHmGGVw":211,"_rXc1iU7KXBEjvBwrcv_7Al4jupZeSQos1GOM0pEgCw":214,"lk11mQeKgucOG5ewSBY7V8K8q5XD_kBEH10xbK6ZElk":217,"EubwWp6ydJ7uSkkPvQPeARsEan8uL9MNNWPXTmtRq_0":220},"brute",[5],{"product_id":6,"slug":7,"details":8,"prices":27,"demoable":24,"product_name":34,"product_range":3,"product_type":35,"hardware":25,"category_alias":36,"buyable":25,"out_of_stock":24,"free":24},379,"polybrute",{"baseline":9,"description":16,"display_flags":23},{"de":10,"en":11,"es":12,"fr":13,"ja":14,"zh":15},"Analoger Polysynth mit Morphing","Morphing analog polysynth","Sintetizador analógico polifónico de transformación","Le synthétiseur polyphonique analogique à morphing","モーフィング・アナログ・ポリシンセ","变形模拟复音合成器",{"de":17,"en":18,"es":19,"fr":20,"ja":21,"zh":22},"Der PolyBrute ist mehr als ein Synthesizer - es ist ein sechsstimmiges analoges Kraftpaket mit beispielloser Expressivität und Soundmorphing. Gebaut, damit du problemlos performen, kompromisslos komponieren und deinen Klang in ständiger Bewegung halten kannst.","PolyBrute is more than a synthesizer - it's a 6-voice analog powerhouse, with unprecedented expressivity and sound morphing capabilities, built to let you perform fearlessly, compose with fluidity, and explore sound in perpetual motion.","El PolyBrute es más que un sintetizador: es un monstruo analógico de 6 voces con una expresividad y unas capacidades de transformación del sonido sin precedentes. Está creado para que toques con plena seguridad,  componer con fluidez y explorar el sonido en perpetuo movimiento.","Le PolyBrute est bien plus qu’un synthétiseur - c’est un colosse analogique de six voix offrant des capacités d’expression et de transformation sonore sans précédent. Repoussez les limites de votre créativité, composez avec une grande fluidité et explorez un son en perpétuel mouvement.","かつてない表現力とサウンド・モーフィング機能を搭載した高性能な6ボイス・アナログ・ポリシンセ。躍動感溢れるパフォーマンス、緻密なサウンド・メイキンング、常に変化し続けるサウンド、その全てをあなた自身の手に。シンセサイザーを超えた存在、それがPolyBruteです。","PolyBrute 不仅仅是一台合成器 - 它是一个拥有前所未有的表现力和声音变形能力的6声道模拟强大音源，旨在让您无所畏惧地演奏、流畅地创作，并在不断变化的声音中探索。",{"featured":24,"new":24,"promo":24,"show":25,"size":26},false,true,2,[28,31],{"currency_code":29,"product_price":30,"use_override":24,"product_override_price":30},"USD",3449,{"currency_code":32,"product_price":33,"use_override":24,"product_override_price":33},"EUR",2699,"PolyBrute","HardwareSynth","hardware-synths",{"product_name":34,"slug":7},{"documentId":39,"title":40,"preset_description":41,"artist":42,"file":47},"igp8xewsmvq4cwqrpxo0v49i","Draculas C64","This sound exploits the arpeggiator with a classic dracula diminished fifth chord with the two part layer possibility of the synth. With some LFO work, one layer seems to be faster in rhythm, but it actually plays the same part. It has a kind of old school gaming vampire vibe which I like and had a lot of fun programming!",{"documentId":43,"name":44,"image_name":45,"bio":46},"mz73xaqymyvdiv5hreh6cg9b","Clément Bastiat","\u002Fimages\u002Fartists\u002Fclement2.jpg","Clément Bastiat is a musician and mastering engineer. Starting out on violin at age 5, Clément became heavily involved in electronic music. Always creating new and unusual sounds for his dark psytrance project Cubic Spline, Clément also applies his golden ears and sonic vision at Storm Mastering.",{"documentId":48,"url":49},"u69e5nxlaj3nry8srfirmxe4","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FMorphing05_01919bf98a.mp3",{"documentId":51,"title":52,"preset_description":53,"artist":54,"file":59},"tcheygsyt8xcdf0tisy3w3hi","Helix Bass","A very versatile patch, not just a bass sound. It epitomises what I like in a synth sound. Warm, melodic, expressive and tasteful. It has echoes of classic synth tones from the past, it has a certain vintage quality to it. It came together quite quickly - offsetting one of the oscillators for ex-tra harmonics, and then blending the waveshapes, before shaping the filter to soften the overall tone.",{"documentId":55,"name":56,"image_name":57,"bio":58},"jp1tk5h2o9yer8q6nelgnpe2","Euan Dickinson","\u002Fimages\u002Fartists\u002FEuan_Dickinson.jpg","British trip hop group Massive Attack features studio guru Euan Dickinson behind the synths and mix console. He has also worked with Robert Del Naja on other projects.",{"documentId":60,"url":61},"ioxemv8yzbs6q51crxx6g03h","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FMorphing06_cb66d30818.mp3",{"documentId":63,"title":64,"preset_description":65,"artist":66,"file":71},"nmsbkoh6rkyyeu40ineu6qmd","Kristofer","What I like about this Kristopher preset is the possibility to transpose the sequence while modifying the sound, much like the sounds of old with the modular Moog, like Klaus Schulze or Tangerine Dream.",{"documentId":67,"name":68,"image_name":69,"bio":70},"mem6dd927logp0p5y55q116k","Olivier Briand","\u002Fimages\u002Fartists\u002Folivier-briand.jpg","Influenced by the music of Klaus Schulze, Tangerine Dream, Jean-michel Jarre and Vangelis, Olivier Briand began to practice the synthesizer in the early '80s after classical piano studies. He discovered a protean style, sometimes similar to that of world music, classical music, and contemporary experiments, jazz, or subtle French melodies. A composer for cinema, television, choreography, theatre, advertisements, and more. He's performed since 1987 on shows events with lasers, light-show and pyrotechnics with the company Oposito. He became the sound engineer for the company Anamorphose in 1990 (specialized in piano recording).",{"documentId":72,"url":73},"y0j99jlhrey487dfp4pwmw25","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_Preset_Kristofer_Olivier_Briand_b05f418e48.mp3",{"documentId":75,"title":76,"preset_description":77,"artist":78,"file":83},"d4ayoghe5m8q20o0j2c3xqpk","Brute Embrace","This preset is my favourite example of taking the raw and dramatic character of the synth voice in the PolyBrute and then controlling and twisting it with the matrix, morphing and performance controls. It is rough-hewn without straying into being harsh and unstable without becoming wild and unmusical. The combination of oscillator cross mod, VCO 2 to Steiner modulation and brute factor combine to create a gritty texture which is then tamed by the Ladder filter.",{"documentId":79,"name":80,"image_name":81,"bio":82},"zhbn6wpt4i486yau7bkl1yvy","Matt PIKE","\u002Fimages\u002Fartists\u002Fmatt.jpg","Matt Pike is a UK-based electronic musician, sound designer and interactive audio artist. Previously releasing music under the name Aer, he now spends his time focusing on mixed media interactive education and play therapy projects, production music composition, sample pack creation and preset design.",{"documentId":84,"url":85},"pr2lqjqxusgkn8eyj3lk0yrf","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_Preset_Brute_Embrace_Matt_pikes_14adba0f0f.mp3",{"documentId":87,"title":88,"preset_description":89,"artist":90,"file":95},"y221bwpnz5xmskdcpeygbaa3","Pythagoras","I choose my 'Pythagoras' patch, which is not the most spectacular, nor the most complex, but simply the one that seems to me the most inspiring. When I went through the different sounds that I had programmed, when I came across this one, I had to reason with myself to continue my work, otherwise I would spend all my time improvising with it...",{"documentId":91,"name":92,"image_name":93,"bio":94},"umane6vfwt6brsc6y60v0vkj","Michael Geyre","\u002Fimages\u002Fartists\u002Fgeyres.jpg","Michael Geyre is a professional musician, composer, and sound designer, raised in a 6-generation musical family. He started playing piano at age 5, and very quickly got into synthesizers which became a passion. In 1999, he acquired a genuine CS-80, which became his favorite polysynth - even after all these years, it still puts a smile on his face.",{"documentId":96,"url":97},"ysqpms9g87bveee0qoh5if2h","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_Preset_Pythagore_Michael_Geyre_62ff48e9ec.mp3",{"documentId":99,"title":100,"preset_description":101,"artist":102,"file":107},"q6gl13n3csh2whg8d7zvllpr","Poly_Tron","Poly_Tron - what I like about the PolyBrute is that it has this beautiful vintage overall sound character. It’s showcased pretty well in this preset I think. It wobbles, it’s noisy (play with the mod wheel to taste), in the low regions the ‘brass’ comes out, and in the high regions it’s more the ‘flute’ territory. It inspires me to make melodies with it.",{"documentId":103,"name":104,"image_name":105,"bio":106},"rtm5ypdmeq42k0ep8tvje9hm","Boele Gerkes","\u002Fimages\u002Fartists\u002Fboele_gerkes.jpg","\"I have been a beta tester and sound designer for various synthesizer companies through the years. Many (mostly analog) synthesizers passed through my hands during the last 35 years, looking for that ultimate, never heard before sound.\"",{"documentId":108,"url":109},"yeshkfk05x6r4vinfhbqz2mr","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_Preset_Poly_Tron_Boele_Gerkes_0c9e675cb9.mp3",{"documentId":111,"title":112,"preset_description":113,"artist":114,"file":119},"v2xxb35sk0vuepd4szqi911p","Juvenile","Throughout this demo I slowly turn the “Morph” knob which allows you to drastically change the texture of the sound in a fluid way. Each preset in the factory bank actually contains two presets in one, it is possible to switch from one to the other using the “Morph” knob. I find this feature very useful in a composition context because it is always interesting to be able to evolve your sounds in an organic way.",{"documentId":115,"name":116,"image_name":117,"bio":118},"ymp3qbwu3dj4ttudmgipw1lz","Simon Gallifet","\u002Fimages\u002Fartists\u002Fsimon_gallifet.jpg","\"I’m a music composer for French TV documentaries.I also teach sound design at FASTLANE, an Ableton certified center in Montpellier (FR).\"",{"documentId":120,"url":121},"h11uyz8v54qypcjxwa415z8e","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_Preset_Juvenile_Simon_Galifet_ba466df6d3.mp3",{"documentId":123,"title":124,"preset_description":125,"artist":126,"file":131},"tbkgzhnk72lh8pd8af6x4psa","Harpsii","Definitely “Harpsii”! I could play it all day and here’s why: the arp-style sequence is soothing and timeless and the timbre is beyond organic; because of its modulated “malleable” quality, it sounds different every time the sequence is repeated, and intrigue stays peaked. It also has that tremendous depth and sought-after “imperfection” of vintage analog synths and",{"documentId":127,"name":128,"image_name":129,"bio":130},"j9rdxgkskfb1jnwci1pwh3c2","Lily Jordy","\u002Fimages\u002Fartists\u002Flily-jordy.jpg","I'm a multi-instrumentalist turned sound designer and engineer, creating and performing organic electronic music as “Lyli J” for the past 12 years. Mesmerized by the art of synthesis and audio sculpting, I've been part of the sound design team and creative process at Arturia since 2017.",{"documentId":132,"url":133},"jl0we7ctzfwp0zmlyr6r9cv5","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_Preset_Haspii_Lily_Jordy_8f7cfb66c0.mp3",{"documentId":135,"title":136,"preset_description":137,"artist":138,"file":143},"ny82gfbqbjl5zuaxgdjvw0qx","A_B Trip","A_B Trip - when you hold a chord you’ll get an evolving pad sound using a dynamic morphing sweep from A, and a classical analog pad to B - an evolving deep sequenced sound. For me, this preset represents, on its own, all the expressiveness and the possibilities of transforming the sound thanks to morphing!",{"documentId":139,"name":140,"image_name":141,"bio":142},"zutrep2b87x8pv9io7m7q2zy","Jean-Michel Blanchet","\u002Fimages\u002Fartists\u002Fjean-michel-blanchet.jpg","Jean-Michel Blanchet is a sound designer and music producer, passionate about electronics and synthesizers since the ‘70s. He started by creating sounds on memory-less analog instruments such as the Oberheim OB-1 (his first synthesizer), the SEM 2 Voices and OBX, ARP Odyssey, and the Prophet 5...and never stopped!",{"documentId":144,"url":145},"s9jzudk1yq9585nmo8g6c063","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FFavorite_preset_A_B_Trip_JMB_b0740e570b.mp3",[147],{"documentId":148,"quote":149,"updatedAt":150,"locale":151},"no1ai0zeemdz325ztvk65mvt","First and foremost, the sound is excellent, but it doesn't stop there! The FM possibilities are crazy but the heart of the instrument is its freely assignable modulation matrix, allowing recursive modulations. Combine that with 6 voices, and you can do the most complex analog sounds!","2026-01-12T09:41:43.977Z","en",[153],{"documentId":154,"quote":155,"updatedAt":156,"locale":151},"v0j0jowot6xxhjja07j1602j","I’ve had the pleasure and privilege of working on the PolyBrute to create some presets. I’ve very much enjoyed my time so far with this machine, and the sounds I’ve been able to create. Every time I sat down with it, I would go on a journey from the original sound that I started with, ending up somewhere completely new and inspiring. The polybrute is instant and accessible enough to be able to get a vibe going quite quickly, but also deep enough to hold infinite possibilities for where a sound could go.","2026-01-12T09:42:10.231Z",[158],{"documentId":159,"quote":160,"updatedAt":161,"locale":151},"papoj2jdfm98fwduicb43k41","I took a range of approaches when creating patches with the machine. As with any synth, I love exploring unique features or combinations of features in search of inspiration. The PolyBrute has so many avenues to explore that this led to many of my sounds, particularly using the matrix to create complex chains of modulation and finding interesting contrasts between Part A & B of a sound.However, what stood out to me is that the synth engine sounded so good it was immediately inspiring and the essence of many of my sounds seemed to just arrive so quickly and my time could be spent finding the most satisfying ways to twist and warp that sound with the Morphée and modulations.","2026-01-12T09:46:46.898Z",[163],{"documentId":164,"quote":165,"updatedAt":166,"locale":151},"tx42kt4xa1ekoxwydw6xpcl2","What I like about the PolyBrute is its versatility. It can indeed sound like a Minimoog, a PPG, a Prophet 5, a CS80, or an AKS - it’s a real chameleon. Of course there is first the quality of the analog sound, then the power of the modulation matrix, but its main quality is the expression, with the Morphée, ribbon, aftertouch...it’s a very good synth that I think will remain in the history of synthesis.","2026-01-12T09:38:02.455Z",[168],{"documentId":169,"quote":170,"updatedAt":171,"locale":151},"meks0i48ps2uxsuz828lagos","I was really impressed by this instrument, both sound and technical. This fully programmable matrix allows such nuances and refinement in the creation of sounds, that we are just limited by our imagination. The sound that comes out of this instrument is always beautiful, and very varied, it can very often approach the sounds of its illustrious ancestors!","2026-01-12T09:49:59.338Z",[173],{"documentId":174,"quote":175,"updatedAt":176,"locale":151},"jc6745s5snv5gdd8vm9kuw4k","The PolyBrute is one of a kind: yes, of course there are many polyphonic analog synthesizers. However with the Polybrute, Arturia have created a synthesizer with a truly unique sound. And on top of that, it is both a sound designer’s and performer’s dream synth. It resembles the MatrixBrute in looks and partly in sound, but it goes in so many different new directions. One of the (several) highlights: that little Morph knob in the lower left corner. Small, yes, but so BIG!","2026-01-12T10:05:37.152Z",[178],{"documentId":179,"quote":180,"updatedAt":181,"locale":151},"vm9ugbithl3a87jsc0bhpxcl","The PolyBrute has a simple, intuitive and very pleasant workflow. When creating the presets I had the impression of working on a modular without the inconvenience caused by cables,sounds that cannot be saved...all with polyphony!","2026-01-12T10:09:00.853Z",[183],{"documentId":184,"quote":185,"updatedAt":186,"locale":151},"z3gi3myuxeqpyivbvzbp269o","Having an A and B side to each preset was so much fun to experiment with; I would create the A and then copy it to B, where I’d then start tweaking key aspects of it to create a contrasting “mirror” for A (for instance: a slow attack, long release and closed filter if the A is a short bright sound with a sharp attack.)","2026-01-12T10:32:07.551Z",[188],{"documentId":189,"quote":190,"updatedAt":191,"locale":151},"bzdvfp4flbwel15p740klda9","The PolyBrute represents the very essence of what a synthesizer must be.","2026-01-12T10:57:43.980Z",{"documentId":51,"title":52,"file":193,"artist":194,"variant":195},{"documentId":60,"url":61},{"documentId":55,"name":56},null,{"documentId":39,"title":40,"file":197,"artist":198,"variant":195},{"documentId":48,"url":49},{"documentId":43,"name":44},{"documentId":75,"title":76,"file":200,"artist":201,"variant":195},{"documentId":84,"url":85},{"documentId":79,"name":80},{"documentId":63,"title":64,"description":203,"artist":204},"",{"documentId":67,"name":68},{"documentId":87,"title":88,"file":206,"artist":207,"variant":195},{"documentId":96,"url":97},{"documentId":91,"name":92},{"documentId":111,"title":112,"file":209,"artist":210,"variant":195},{"documentId":120,"url":121},{"documentId":115,"name":116},{"documentId":99,"title":100,"file":212,"artist":213,"variant":195},{"documentId":108,"url":109},{"documentId":103,"name":104},{"documentId":123,"title":124,"file":215,"artist":216,"variant":195},{"documentId":132,"url":133},{"documentId":127,"name":128},{"documentId":135,"title":136,"file":218,"artist":219,"variant":195},{"documentId":144,"url":145},{"documentId":139,"name":140},{"documentId":63,"title":64,"file":221,"artist":222,"variant":195},{"documentId":72,"url":73},{"documentId":67,"name":68},1783454084101]