PolyBrute
Le synthétiseur polyphonique analogique à morphing
Like no synth
before it
This is a new approach to synthesis.
PolyBrute goes against the grain to provide something entirely new - and not just a new sound, new feel, new design.
The raw energy of Brute oscillators, stacked six voices high, shaped by the versatility of dual enhanced classic filters. But with PolyBrute, a patch isn't just a single sound; it's an entire spectrum of sonic color that can be traversed at the touch of a single control. Attain the unattainable.
With such sonic depth comes the need for tactility. Playing PolyBrute is like suddenly being able to play several instruments at once; a multi-faceted tool of musical expression. From the classic ribbon strip to the state-of-the-art Morphée controller, each component is designed to respond to your every musical nuance.
Sounds complicated? Not a chance. PolyBrute's intuitive function-per-knob interface and the tactile elegance of the Matrix puts next-generation sound comfortably within reach.
Morphing
a new musical dimension
Infinite positions on an elusive spectrum of sound, instantly accessible.
Seamless transitioning of multiple parameters from one state to another, and everything in between. Morphing, combined with the Morphée and PolyBrute's uniquely eloquent inventory, paves the way for endless patch evolution and expressivity.
Clément Bastiat
Going from a percussive patch with an emphasis on rhythm, to something smoother, with a pleasant arpeggio-like modulation.
Euan Dickinson
The base is a filtered, wah-like tone, which turns into a plucked synth key sound using Metalizer, a Brute signature.
Morphing allows you to start from a moody plucked sound, to a soft lead, then back again.
You can quickly alternate between a pad-like envelope, and sharper, more percussive sounds, with a single twist of a knob.
Great synths
start with great sound shaping
PolyBrute’s seismic sound begins with two analog VCOs sharing much of the same sonic architecture that has made MatrixBrute and the rest of the Brute family famous.
Each oscillator generates sawtooth, triangle and square waves simultaneously, and you can mix between them to waveshape just the right initial timbre.
Waveforms
Saw VCO1 > Triangle VCO1 > Square VCO1 > Sub VCO2 > Metalizer VCO1
Then dial in VCO 1’s Metalizer wavefolding to escalate from pure to rude. Bring in VCO 2’s sub-oscillator to add an extra octave lower or really rattle some teeth.
Créez des sons FM tranchants en modulant la fréquence du VCO 1 par le VCO 2, ou modifiez subtilement le contenu harmonique avec la synchronisation soft ou hard.
VCO Sync
VCO Sync evolving
Metalizer
Metalizer evolving from minimum as a triangle waveform to the maximum Metalizer setting
Two filters
are better than one
Tame the rawness of the Brute oscillators with not one, but two filters at your disposal - time-tested classics, fused with thrilling enhancements.
_1 VCF 1 Steiner
A 2-pole 12db/octave Steiner filter design with continuous sweepable slope types, as seen across the Brute range. The addition of the proprietary Brute Factor feedback control lets you add anything from subtle warmth to a raunchy growl.
Steiner filter showing Low Pass, Hi Pass and Band Pass modes
Steiner filter plus Brute Factor
_2 VCF 2 Ladder
Inspiré du légendaire filtre ladder 4 pôles 24 dB/octave du Dr Bob Moog. Un passe-bas classique, avec compensation de gain et distorsion asymétrique pour ajouter du grain à vos patchs polyphoniques.
Ladder filter with and without resonance going up to self-oscillation.
Ladder filter plus distortion.
Série
En mode série, vous combinez les forces des deux designs — pour former un filtre unique à deux pentes différentes.
Continu
En plus d'assigner chaque source sonore au filtre de votre choix, vous pouvez déterminer si les filtres fonctionnent en série, en parallèle — ou selon un savant mélange des deux.
Parralel
En mode parallèle, vous pouvez router les deux filtres séparément pour une synthèse stéréo distincte, où les canaux gauche et droit peuvent avoir des sons évolutifs différents.
Ladder filter with and without resonance going up to self-oscillation.
Modern
modulation sources
La modulation a toujours été essentielle pour donner vie aux sons de synthèse.
PolyBrute weaves a web of envelopes and LFOs that’s intricate and unpredictable in equal measure - the sound of motion itself.
Three Envelope Generators
Le VCF et le VCA du PolyBrute disposent d'enveloppes ADSR sensibles à la vélocité, directement accessibles hors de la Matrice pour un résultat immédiat. Le troisième générateur d'enveloppe dispose d'un étage de delay (DADSR) et s'assigne pour sculpter n'importe quelle cible de modulation. Utilisez les différents modes de répétition et de boucle pour ajouter des mouvements complexes à vos patchs.
Three LFOs
Les trois LFO synchronisables du PolyBrute couvrent une plage extrêmement large — des magnifiques paysages sonores évolutifs aux modulations métalliques dans le domaine audio. Avec leurs options de waveshaping, de polarité et de redéclenchement, sortez des sentiers battus. Expérimentez avec le routage dans la Matrice et la synchronisation au tempo ou MIDI pour des effets hyper-rythmiques.
Enter
the matrix
La flexibilité du patch modulaire, la précision du numérique et la richesse de l'analogique réunies pour une expérience de synthèse hors du commun.
32 target parameters, 64 connections in total. Rearrange PolyBrute’s signal chain with the touch of a single button. Dial in positive or negative amounts, intuitively assign one or more destinations via any relevant controls, instantly route PolyBrute’s array of performance controllers and advanced modulation sources to influence just about anything in the instrument’s chain - all without the spaghetti nest of wires.
Mais la Matrice ne gère pas seulement le routage de modulation du PolyBrute — elle est au cœur de toute son architecture. En mode presets, elle sert à sélectionner l'un des 768 emplacements mémoire. Le mode morphing donne accès à l'édition avancée des états de morphing. En mode séquenceur, la Matrice devient un éditeur de motifs visuel et intuitif.
Animate and automate
your sound
When you want to set your sound in motion, there’s no faster way than engaging PolyBrute’s Sequencer/Arpeggiator section, instantly accessible via the Transport section, Matrix, and keybed.
Trigger patterns from the keyboard or use the Hold mode to latch the keys you touch - freeing your hands to grab controllers, tweak parameters and/or play along. It’s the closest thing you can get to flying without leaving the ground.
32-Step Arpeggiator
We’ve taken the Arpeggiator way beyond the expected, giving you inspiring new modes ranging from predictable to delightfully random. When you hear something you like, the push of a button can even convert it to a sequence to preserve the magic of the moment - further editing and refinement optional.
64-Step Polyphonic Sequencer
Use either real-time or step input to record up to 64 steps, each with 6-voice polyphony. Record in Overdub or Overwrite mode, with velocity, accents, ties, and slides per step, then make refinements with streamlined Matrix-powered editing and management options - more than your everyday sequencer.
Jagged filter envelopes, effect decays, and vibrating polyphonic drones await.
You can play along live with your sequences via split and layer modes. Use controllers to change timbre and other PolyBrute parameters during playback - great for bringing nuance, character and dynamics to your sequence-aided performances. You can even record changes from up three different controllers into a sequence to automate textural changes.
Go for solid predictability or dial in the degree of random probability you want to continually shake things up.
Imagine the possibilities of doing that with just about any PolyBrute control. You can optionally set playback speed from 1/8 to 8x what you performed - and even loop playback for repetitive effects.
Enregistreur de mouvements
As if there aren’t enough ways to animate your PolyBrute patches, the Motion Recorder instantly captures your movement of almost any knob or controller - and then automatically plays that motion back with every triggered note.
Matrix Arpeggiator
If standard arpeggiation isn’t your game, the Matrix Arpeggiator mode combines the best of PolyBrute’s Arpeggiator and Sequencer into yet another innovative creative resource. Map which of up to six held notes will sound for each step, with mutes, octave transpose, slides, and even modulation tracks. Then that same pattern will apply to any notes you hold - craft melodies and ostinatos intelligently and intuitively.
Integrated
digital effects
PolyBrute incorporates built-in professional-grade digital effects into every patch, with parameters that can be modulated to no end - rounding off an all-encompassing palette worthy of any stage, studio, or soundtrack.
These effects are no mere afterthoughts, either - we’ve even included favorite algorithms from our critically acclaimed FX Collection. Choose between 3 types of effect - Modulation, Delay, Reverb - and unlock all manner of immersive textures, from Chorus to BitCrusher, Karplus to BBD delay, Plate to Dreamy reverb.
Les effets du PolyBrute sont spécialement conçus pour tirer parti de sa structure stéréo complexe — vous pouvez même tous les insérer en série avant la sortie, ou configurer le delay et la réverbe en départ auxiliaire (send).
Modulation
- Flanger
- Phaser 12p
- RingMod
- Soft Flanger
- Phase Flanger
- Ensemble
Delay
- Stereo Delay
- Long Delay
- BBD PingPong
- Karplus
- Stereo Spread
- Parallel
- BBD Spread
Reverb
- Bright Plate
- Room
- Dreamy
- À ressort
- Delayed Plate
EQ
This example takes a fat unison lead through all 7 EQ presets of the Polybrute FW 3.0.
- Presence
- Low Boost
- High Boost
- Hi-Fi Loudness
- Mud Remover
- Low Cut
- High Cut
Distortions
This example takes gritty keys through all 7 Distortion presets of the Polybrute FW 3.0.
- Subtle Tape
- Classic Distortion
- Soft Clip
- Worn Out Tape
- Germanium
- BitCrusher
- DownSample
World-class
presets
The world’s top sound designers pushed PolyBrute to its limit - and gave us hundreds awe-inspiring presets to explore with.
These stunning presets come readily installed, spanning a multitude of genres and musical timbres, designed by experts in every sonic field - but these are no ordinary presets. Each one is a gateway to a new sonic domain, composed of two distinct states, and infinite points in between - ready to be explored via a plethora of expressive elements.
PolyBrute is a full-tilt vehicle of sonic exploration before you touch a single button.
Nappes sonores
Percussions
Basses
Leads
Claviers
EFFETS SPÉCIAUX
Séquences
Polyphony
integrated
PolyBrute is equal parts standalone synth behemoth and studio family member - simple connectivity is key.
You can play an entire set or compose an entire soundtrack from start to finish, with no other gear. But PolyBrute is also designed to connect to your existing rig for a seamless musical experience.
A selection of MIDI, expression, audio, and sync connections on its back panel make it a team player that can add heaps of polyphonic power to any setup. A home modular system, a touring keyboard rig, a studio staple - PolyBrute fits the bill.
Designing
a flagship
Le PolyBrute est sans aucun doute une bête — mais son design a aussi sa part de beauté.
Not only is its layout logical and intuitive, but its striking design combines the best of vintage synth heritage and cutting-edge modernity. Timeless angles, smooth surfaces, and sleek appointments that’ll stand out on any stage. A calculated & rugged metal frame, lavishly lined with dark walnut for an aesthetic worthy of luxury interior design.
Support en bois
Mieux encore, le châssis du PolyBrute est entièrement compatible avec nos Wooden Legs. Ces pieds en hêtre au design intemporel forment une solution ergonomique professionnelle pour le studio et la scène, aussi fiable qu'élégante — pour jouer sans entrave et avec classe.
Galerie
Caractéristiques principales
Synthétiseur analogique à morphing
- 6 voix de polyphonie
- Monophonie, unisson, polyphonie
- Modes Single, Split, Layer
61 touches avec vélocité et aftertouch
Molettes de modulation et de pitch bend, rubans tactiles
Contrôleur 3D Morphée sensible au toucher et à la pression
Fonction de morphing sonore des sons A et B pour chaque preset
2 VCO analogiques
- Dents de scie
- Triangulaire + Metalizer
- Carrée + largeur d'impulsion
- Sub
- Linear FM
- Hard Sync
Générateur de bruit
- Nuances de bruit, du rouge au blanc
Mixer pour l'oscillateur et le générateur de bruit, avec routage du filtre
Filtre Steiner Parker 12 dB/Oct
- Morphing continu entre les filtres passe-bas>coupe-bande>passe-haut>passe-bande
- Cutoff, Resonance, Brute Factor
Filtre en échelle 24 dB/Oct avec distorsion
3 enveloppes
- Fonction de bouclage
3 LFO
- LFO1 et LFO2 avec sélection de forme d'onde
- LFO3 avec façonnage de forme d'onde grâce à Shape et Symmetry
- Contrôle Rate & synchronisation du tempo
- Multiples options de redéclenchement
3 effets stéréo numériques
- Effets de modulation : Chorus, Phaser, Flanger, Ring Mod
- Delay : 9 algorithmes dont BBD et délay numérique
- Réverbe : 9 algorithmes dont Hall, Plate, Spring, Shimmer
768 emplacements de presets
Matrice de modulation 12x32
Séquenceur polyphonique 64 pas
- Notes, Accent, Slide par pas
- 3 pistes d'automatisation
Arpégiateur et arpégiateur de matrice
Sortie audio stéréo
Entrée/sortie MIDI et USB + entrée/sortie horloge analogique
2 entrées de pédale d'expression et 1 de sustain
Contenu de la boîte
Dans la boîte
- 1 PolyBrute
- 1 câble d'alimentation
Size & weight
- Size (mm): 972 x 378 x 110 mm
- Size (in): 38.27 x 14.88 x 4.33 in
- Weight (kg): 17 kg
- Weight (lb): 37.48 lb